At last, I’ve watched Ade Love’s ‘Iyaniwura”

There’s something quietly powerful about discovering an old film that reshapes what you thought you knew. That was exactly the experience I had when I stumbled upon ‘Iya Ni Wura’, a classic production by Adeyemi Afolayan—popularly known as Ade Love—on YouTube.

I had heard stories about his brilliance, whispers of a time when Nigerian cinema carried a different kind of depth. Still, nothing prepared me for the confirmation I found in that film.

Watching ‘Iya Ni Wura’ felt like opening a time capsule. Produced in the 1980s, long before the global rise of Nollywood, the film reveals a level of storytelling, structure, and emotional intelligence that challenges the assumption that older Nigerian movies were simplistic or technically lacking. Instead, it presents a rich narrative woven with culture, morality, and human complexity.

One of the most striking elements of the film is its storytelling. Unlike many modern films that rely heavily on fast pacing and visual effects, ‘Iya Ni Wura’ takes its time to develop characters and relationships.

The dialogue is intentional, the scenes carefully crafted, and the emotional weight builds gradually but powerfully. It becomes clear that Ade Love was not just making movies—he was telling stories that mattered, stories rooted deeply in Yoruba culture and universal human experiences.

It was also jarring, in the most fascinating way, to see some of today’s elderly movie stars appear as young actors in the film. Faces that are now associated with wisdom, age, and authority once carried the freshness and energy of youth on screen. That contrast adds another layer to the viewing experience—it reminds you that these legends have long histories in the craft, and that their contributions to Nigerian cinema stretch far beyond what many of us see today.

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The film also highlights something often overlooked: the technical and creative ingenuity of early Nigerian filmmakers. Despite limited resources, there is evidence of thoughtful direction, strong performances, and a clear artistic vision. It forces you to reconsider the narrative that quality filmmaking in Nigeria is a recent development. In reality, pioneers like Ade Love laid a strong foundation, one that continues to influence the industry today.

Beyond its technical and narrative strengths, ‘Iya Ni Wura’ carries a timeless message. It explores themes of family, sacrifice, morality, and the true value of relationships—ideas that remain relevant regardless of the era. The film does not just entertain; it teaches, reflects, and resonates.

In the end, watching ‘Iya Ni Wura’ was more than just a casual viewing experience—it was a revelation. It reminded me that the roots of Nigerian cinema run deeper than many of us realize. Long before the lights and glamour of modern Nollywood, there were storytellers like Ade Love crafting meaningful, enduring art. And sometimes, all it takes is one film to rediscover that legacy.

***Published on April 18, 2026

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